Feheley Fine Arts is pleased to present an exhibition of recent drawings by Kinngait artist Ooloosie Saila, the artist’s second solo show at the gallery. Completed between late-2019 and 2021, this body of work builds on the subjects of Saila’s earlier drawings, taking them to new levels of form, colour, and detail. Vibrantly coloured and dynamically composed, Saila’s drawings visualize … Read More
Shuvinai Ashoona at the 2022 Venice Biennale
Congratulations to Shuvinai Ashoona on her epic installation of drawings on view at the 2022 Venice Biennale. She was also awarded one of two special mentions for the Biennale’s Official Awards, alongside American artist Lynn Hershman Leeson. On Ashoona’s work, the jury commented: “Shuvinai Ashoona reveals in her drawings and paintings a profundity of indigenous Inuk cosmogonies. An existence in … Read More
Thin Ice: Drawings by Qavavau Manumie
Thin Ice, a solo exhibition of primarily new drawings by Qavavau Manumie, explores contemporary issues of climate change in the Arctic. Based in Kinngait, Nunavut, Manumie is a long-time observer of environmental shifts in his home community and how it increasingly affects the land, animals, and people of the circumpolar north. In keeping with his signature playful and illustrative drawing … Read More
Glowing in the Winter Light
Feheley Fine Arts is pleased to present a selection of stained glass works, recently re-released from the Kinngait Studio archives. Made between 2005-2009, these fine works of colourful glass take the bold graphic images of Kinngait’s foremost artists, and translate them into a beautifully delicate art form. Glowing in the Winter Light features works by artists Kenojuak Ashevak (1927–2013), Arnaqu … Read More
Qavavau Manumie at the Biennale of Sydney
On view until June 13, 2022: the Biennale of Sydney in Australia, now in its 23rd iteration. Taking place every two years, the international art exhibition showcases work by compelling contemporary artists from around the world that speak to a selected theme. This year’s theme derives from the latin word rīvus, meaning small stream of water. It focuses on dynamic … Read More
Ooloosie Saila: Island Landscapes
We are thrilled to announce a special print release of the Island Landscapes print suite by Ooloosie Saila. The suite consists of three stunning prints depicting the landscape of Kinngait, Saila’s hometown and signature subject. Large and bold, the images present the Arctic landscape through a greyscale monochromatic palette that evokes a moody and magnificent atmosphere. In an exciting first, … Read More
Jutai Toonoo: Body Landscape
Jutai Toonoo was born in Kinngait, NU in 1959, the same year that the inaugural Cape Dorset Print Collection was released. He grew up surrounded by artists and naturally fell into art making himself. He started with sculpture and gradually experimented with other media like print, drawing, pastel, and painting. Across all his media, Toonoo rarely conformed to traditional assumptions … Read More
The Lithograph
What do Shuvinai Ashoona’s Tentacles (2018), Ningiukulu Teevee’s Stepping Out (2020), and Ooloosie Saila’s Festive Owl (2021), have in common? They are all lithographs—a largely popular, yet little understood method of printmaking. The art of lithography made a late arrival to the Kinngait Studios as printers began experiments in the early 1970s. In 1975, lithographs made their debut in the … Read More
The Etching and Aquatint Print
Paul Machnik and his world-renowned Montreal-based print atelier, Studio PM, began collaborating with the Kinngait Studios artists more than twenty-five years ago. The introduction of the etching and aquatint technique was game changing, rejuvenating the monochromatic etching medium which artists had dabbled with in the early 1960s and again in the 1970s. The difference between the early etchings and Machnik’s … Read More
Shuvinai Ashoona: Kinngait Visions
(Digitized catalogue below) After a nationwide touring solo exhibition, a feature in the Berlin Biennial, winning the Gershon Iskowitz Prize, and a subsequent retrospective at the Art Gallery of Ontario; Feheley Fine Arts is pleased to present an exhibition of stellar new drawings by Shuvinai Ashoona. Aptly titled Kinngait Visions, the exhibition brings together twenty-two recent works by the artist … Read More
The Stonecut Print
If you are familiar with Inuit art, you would be familiar with the stonecut print. This particular type of printmaking is unique to the Canadian north, utilizing stone to create the printing plate. The method itself is akin to that of linocut or woodcut, where a negative relief image is cut into the plate, inked, and printed. In fact, linoleum … Read More
In Memoriam: Pitaloosie Saila (1942–2021)
We were deeply saddened to hear of the passing of seminal Inuit artist Pitaloosie Saila. Born in 1942, Saila began drawing in the late 1950s and went on to become one of Kinngait’s most notable graphic artists, working well into her 70s. Saila’s life was a remarkable one; she broke her back as a child and spent seven years in … Read More












