Moving Forward: Works on Paper by Annie Pootoogook

Feheley Fine Arts is pleased to present the first solo exhibition of works on paper by Annie Pootoogook. Born in 1969, Annie is an emerging artist who only began drawing in 1997. She is inspired by the detailed graphics of her uncle, Kananginak Pootoogook, and remembers fondly her grandmother, Pitseolak Ashoona. Her mother, Napachie Pootoogook, was another strong artistic influence, … Read More

Second Nature: Janet Kigusiuq

(Digitized catalogue below) To behold these recent works on paper by Janet Kigusiuq is to be seduced by colour and delighted by form. Kigusiuq was born in 1926 to Jessie Oonark, the first and  brightest  star in the Baker Lake firmament. Oonark taught her eldest daughter resilience and self-reliance during the difficult years on the Barren Lands through the 1940s … Read More

Toonoo’s Legacy

(Digitized catalogue below) Sometimes one moment can become the axis around which a whole universe spins. The world remembers 1969 as the year of Woodstock’s quest for harmony and the first moon walk that became a celebration of man’s technological advancements. Meanwhile, in the Arctic the I were making their own advances, navigating the treacherous journey from traditional camps to … Read More

Contemporary Coral Harbour

Coral Harbour, or Salliq, is located on Southampton Island in northwest Hudson’s Bay. In 1902, all of the original population of the area, the Sallirmuit, died from disease brought by European whalers. Since that time, the Coral Harbour area has gradually been settled by Inuit from Baffin Island, Arctic Quebec and mainland Keewatin. This migration created a community whose fabric … Read More

The Discrete Collector

(Digitized catalogue below) The Art of Collecting Over the past decade, Feheley Fine Arts has been proud to feature several exhibitions of Inuit art from significant private collections, including the Klamer Family, Jack Butler and Sheila Butler, and Terry Ryan. However — for a multitude of personal reasons — sometimes collectors prefer to remain anonymous. While we work diligently to … Read More

Art by Women

(Digitized catalogue below) Foreword At the dawn of the twenty-first century, some people might question the necessity of another exhibition devoted to the artistic expression of Inuit women. Surely, they would say, the point has been well made in over twenty group exhibitions (and even more solo exhibitions) of Inuit women’s art since the mid-1970s in galleries across North America. … Read More

Material Culture: The Art of Mayureak Ashoona

(Digitized catalogue below) “These are all about history – what has been going on. They are memories; the whole truth about all of life for those who forget about their history; to make sure that the young people know what really happened; to work both sides, from the past to the future; to communicate with people in the South because … Read More

Cross-Currents: Cape Dorset in the 1960s

(Digitized catalogue below) Foreword by Terry Ryan My recollections of Cape Dorset during the notable decade of the 1960s unlike the frenetic sixties here in the Southern Hemisphere, was of a place only slowly awakening from a long period of relative tranquility. Our Federal Government of that time had only recently shown an expressed interest in things north of 60 … Read More

Spirit of the Walrus

The walrus is among the most popular and recognizable subjects of Inuit art. In realistic depictions or mythological compositions, the walrus is a recurrent and powerful spirit. Walruses are massive mammals, larger than the polar bear, living on the ice across the eastern Canadian Arctic. The name, walrus, is from the Danish hvalros (sea cow). For centuries, the Inuit have … Read More

Material Matters: The Media of Inuit Art

(Digitized catalogue below) Introduction Artists worldwide grapple with the materials they use to translate ideas into physical form and the Inuit are no exception. Some begin with the flat surface of a page on which to build up an image from inspired marks, while others work to free their subject from an existing substance such as stone. The materials chosen … Read More

Transformed: The Last Works of Sheojuk Etidlooie

(Digitized catalogue below) “Aanaan [My mother], your wisdom, strength and guidance have and always will guide us through life. We all miss you. Your loving son,” – Pauloosie Suvega, Iqaluit, 1999 “We didn’t realize how well-known my mother was in the south. She rarely spoke about her art. We thought she just wanted to be able to provide for her … Read More

Facing Dorset: John Reeves – Portraits of the Artists of Cape Dorset

An arrested gaze. A weathered cheek. Light flooding the surface of a printing stone. The intimate actions of an artist lost in the act of creation. These are John Reeves’ photographs of the Inuit artists of Cape Dorset. In glowing whites and inky blacks, he has immortalized the residents of the north during visits to the Canadian Arctic spanning more … Read More