What do Shuvinai Ashoona’s Tentacles (2018), Ningiukulu Teevee’s Stepping Out (2020), and Ooloosie Saila’s Festive Owl (2021), have in common? They are all lithographs—a largely popular, yet little understood method of printmaking. The art of lithography made a late arrival to the Kinngait Studios as printers began experiments in the early 1970s. In 1975, lithographs made their debut in the … Read More
60/60: Sixty Years of Printmaking in the Kinngait Studios
(Digitized catalogue below) In celebration of the Kinngait Studios’ 60th anniversary, this exhibition features an unbelievable collection of Cape Dorset prints—one from each year since the studios’ inception. The graphics chosen acknowledge the many artists who passed through the studios over six decades, highlighting their innovations in style, technique, scale, printmaking type, and subject matter. Formally established in 1959, the … Read More
The Co-op: Drawings from Cape Dorset
The Co-op is a group exhibition of drawings by the Cape Dorset artists celebrating 60 years of the Kinngait Studios. Commonly referred to as the Co-op (as part of the West Baffin Eskimo Co-operative), the studios have been intimately involved in the lives of the Cape Dorset artists since 1959. They are also the longest continuously running printmaking studios in … Read More
Pudlo Pudlat: Unseen
On April 28, 2018, Feheley Fine Arts opened Pudlo Pudlat: Unseen, an exhibition of Pudlat’s drawings that have never been viewed by the public before. Set in and around his home of Kinngait (Cape Dorset), these unique works were created between 1976 and 1992, and feature themes of transformation, imagined landscapes, and technological changes that were taking place within Pudlat’s … Read More
“Art On Paper” New York 2017
For the first time, Feheley Fine Arts participated in the New York fair, Art on Paper. Right in downtown Manhattan’s Pier 36, the gallery displayed a wide range of Inuit art alongside great international galleries. New drawings by Ningeokuluk Teevee and Shuvinai Ashoona were accompanied with prints by Saimaiyu Akesuk, Pudlo Pudlat, Kenoujak Ashevak, and others. Following the success of … Read More
Breaking Ground: New Oil Stick Drawings from Cape Dorset
This exhibition “breaks ground” in a number of ways. First, the medium of oil stick is still a very recent innovation for Inuit artists. It was introduced in Cape Dorset in the late 1990s by Montreal-based artist Ludmilla (Mewa) Armata, who coaxed some remarkable work from senior artists such as Mayureak Ashoona and Sheojuk Etidlooie. The materials remained in the … Read More
Cross-Currents: Cape Dorset in the 1960s
(Digitized catalogue below) Foreword by Terry Ryan My recollections of Cape Dorset during the notable decade of the 1960s unlike the frenetic sixties here in the Southern Hemisphere, was of a place only slowly awakening from a long period of relative tranquility. Our Federal Government of that time had only recently shown an expressed interest in things north of 60 … Read More